An article by Gretchen McCulloch in WIRED this week looks at the phenomenon of “Voldemorting” – or – choosing to use alternative words when referring to a certain subject in order to abstract it (much like “He Who Must Not Be Named” from Harry Potter).

Here’s an example of synonymous words hiding in plain sight:

“I’m so tired of all the bad news on birdsite.”

“Yeah, there’s just too much about The Cheeto.”

McCulloch cites this quirky internet habit to a paper from Researcher Emily van der Nagel, and describes two different approaches to this subversion of language becoming increasingly common on social media:

On one hand, internet users may choose an abstracted term in order to subvert the power dynamics of a subject or person they reject.  But interestingly, the tactic can also be used simply to evade brands, accounts, or users who may be highly attuned to a certain keywords. McCulloch writes, “Slightly different words make it difficult to find any particular one through search. While search engine optimization uses keywords and hashtags in a competition to make your post or website the most relevant, Voldemorting is the anti-SEO, the anti-keyword, and the anti-hashtag.”

WHY IT’S HOT:

As search algorithms have gotten smarter, and with it our increased ability to seek and find information, so to has the topic of every conversation to be traced. Voldemorting is the ultimate SEO-“dis”.

McCulloch wisely ponders, “What does it mean to be a human brain supplemented by the extended memory of internet search? This was a big question in the earlier days of the internet. Now, perhaps, we have an answer: It means that we can find things, but others can also find us. Cultural references that were once opaque are now easily cracked open for ingenious wordplay, and that same ingenious wordplay can restore a sense of local community by keeping our complaints within their intended audiences.”

SOURCE: https://www.wired.com/story/voldemorting-ultimate-seo-diss-resident-linguist/

To celebrate it’s 20th anniversary, Google has launched a series of content to celebrate, including a look back at the history of the Google Doodle, and an tool to explore search trends over the last 20 years.

Check out the list of activities here:

https://www.vox.com/2018/9/27/17905508/googles-20th-birthday-doodle

WHY IT’S HOT:

Google has solidified its place in our culture, for better or for worse, and these back-patting initiatives remind us of the influence Google has had over the past 20 years. Despite recent events putting Google under fire, it is impossible to ignore how influential the search engine itself has been in our lives, and undeniably fascinating it is to look back at fun facts from search trends over the past two decades. It is a perfect time capsule of the growth of the internet.

Check out this interactive feature from the NYTimes that takes you the history of the climate of your hometown, with an eye towards the future effects of climate change:

https://www.nytimes.com/interactive/2018/08/30/climate/how-much-hotter-is-your-hometown.html

Once you enter your hometown and birth year, scrolling down reveals the model of how many days at or above 90 degrees your hometown will experience in our lifetimes.

The article also compares your hometown to other major cities globally, like New Delhi and Madrid.

WHY IT’S HOT:

Besides from being, well, literally hot, this interactive feature puts climate change into the perspective of our lifespan, and the place we call home. For a phenomenon that is difficult for some people to fully grasp, this content makes it feel not only clear and personally relevant, but also immediate and urgent. When the effects of climate change are put into the context of our own lives, it is impossible to downplay or ignore.

A neat new web tool called itty bitty sites from Nicholas Jitkoff, VP of Design at Dropbox, lets you create self-contained microsites that exist solely as URLs. You can create your own by following this URL: itty.bitty.site. From there, you can fill the equivalent of about one printed 8.5 x 11-inch page with any combination of plain text, ASCII characters, or emojis. (To launch the project on the 4th of July, Jitkoff created this page: independence.bitty.site) The actual byte limit depends on where you’d like to share it; Twitter and Slack allow for around 4,000 bytes, while the Mac version of Chrome can accommodate up to 10,000 bytes. For reference, a longer piece, like the US Declaration of Independence is 5200 bytes. This won’t work on Twitter, but can still be used in a domain redirect (which is how this and many of the other examples are stored).

The interesting part is that the site isn’t actually hosted anywhere — the entirety of the webpage exists as a URL compressed using what’s known as the Lempel–Ziv–Markov chain algorithm.

How itty.bitty works

TL;DR:
✏️ ▸ ▸ ▸ #️⃣ ▸ ▸

itty.bitty takes html (or other data), compresses it into a URL fragment, and provides a link that can be shared. When it is opened, it inflates that data on the receiver’s side.

Source Code: https://github.com/alcor/itty-bitty

itty bitty sites exists as an open source project on Github. While Jitkoff doesn’t know what people will do with this tool yet, “he does suggest using it for standalone poetry, bypassing Twitter’s character limit, and using it as a clever alternative for domain redirecting, so you can host larger-than-normal portions of text as standalone URLs.”

WHY IT’S HOT: 

This is a clever and creative way to make creating and sharing work online more accessible and usable for more of the population, freeing those from the heavy lift of hosting a full site, but expanding the confines of what’s available on social media platforms. It really feels like the early internet.

SOURCE: https://www.theverge.com/2018/7/5/17538474/itty-bitty-site-self-contained-websites-urls-open-web

It’s no news that newspapers have been on the downtick for years. But despite the uptick in news consumption in America, largely thanks to the Trump bump, the newspaper industry’s survival remains in jeopardy, according to the Pew Research Center’s newly-released newspaper fact sheet for 2017. (SOURCE: Axiom)

From a New Yorker article this week, Jia Tolentino explores how Juul has become a major threat to big tobacco, the hottest thing for teenagers across the country, a social media phenomenon, and a public health crisis.

The health professionals are already calling Juuling a “nathional health crisis,” made possible by co-opting a wellness trend in America. And it’s getting huge. “An analyst at Wells Fargo projects that this year the American vaporizer market will grow to five and a half billion dollars, an increase of more than twenty-five per cent from 2017. In the latest data, sixty per cent of that market belongs to Juul.”

According to a 2017 study by the C.D.C., about fifty per cent more high schoolers and middle schoolers vape than smoke. Tolentino writes, “Young people have taken a technology that was supposed to help grownups stop smoking and invented a new kind of bad habit, one that they have molded in their own image. The potential public-health benefit of the e-cigarette is being eclipsed by the unsettling prospect of a generation of children who may really love to vape.”

And on the viral marketing of Juul, Tolentino writes: “Just as the iconic images of Malboro were shaped by Madison Avenue, Juul has been defined by Instagram and Snapchat. The company’s official Instagram account, @juulvapor, is age-appropriate and fairly boring—it has an aesthetic reminiscent of Real Simple,and forty-four thousand followers. But viral, teen-centric Juul fan accounts like @doit4juul (a hundred and ten thousand followers) are populated with a different sort of imagery: a bodybuilder Juuling in a tank top that says “Real Men Eat Ass”; a baby (labelled “me”) being shoved into a birthday cake (“the Juul”) by her mom (“my nicotine addiction”); a topless college student who has a Juul in her mouth and is wearing a pink hat that says “Daddy.” Teen Juul iconography radiates a dirtbag silliness. Vapes are meme-ready, funny in a way that cigarettes never were: the black-and-white photograph of James Dean smoking in shirtsleeves has been replaced with paparazzi snaps of Ben Affleck ripping an e-cig in his car. In one popular video, a girl tries to Juul with four corn dogs in her mouth. In another, teens at a party suck on a flash drive that they’ve mistaken for a Juul. “I know one of the girls in that video!” a high-school senior from Maryland told me. “It was a huge deal at my school.”

Above, the Juul website. Below, a post with the #Juuling hashtag on Instagram.

WHY IT’S HOT:

This is a classic example of a brand stepping back and letting viral marketing do its job – whether it was for the “intended” audience or not – with major consequences.

Today, Amazon made important updates to its monetization model for Alexa.

First, Amazon finally opened up Alexa to developers to make money off third-party skills. Developers can now add purchases to skills and sell physical goods through Alexa. In-Skill Purchases (or ISPs) work almost exactly like in-app purchases for mobile apps. Developers will be able to offer either one-time purchases to unlock new content or ongoing subscriptions that enhance the skill. Developers get 70% of revenue from the in-skill purchase, and Amazon is ensuring that Prime members will always get some sort of extra benefits here, whether that be discounted prices or early access to new features. (It’s important to note that all skills are still free to use).

The second monetization update is that Amazon is now opening up Amazon Pay, letting third-party developers sell their products through their Alexa skills (similar to how you can already order things from Amazon through the voice assistant). TGI Fridays and 1-800-Flowers are the first companies to create skills with the new functionality, letting users order food or flowers through the Alexa voice interface using the same payment information that’s already attached to their Amazon account.

WHY IT’S HOT:

Opening up Alexa purchases to third-party developers will increase the velocity of the Amazon’s expanding ecommerce universe. As voice grows, Amazon makes a compelling platform for any brand or retailer to reach its customers.

Sweetgreen has spent the last 8 months helping a family-owned liquor store in South LA reinvent itself as a healthy food market.

The original owner’s daughter, Kelli Jackson, took over, and decided she had the opportunity to serve as a beacon for healthy food options in what is otherwise a “food desert.” With the nearest grocery store over a mile away, access to fruits and vegetables for local families was severely lacking.

Working with the LA Food Policy Council, Jackson’s store was deemed appropriate for a full transformation. That’s where Sweetgreen came on board to help. Working side-by-side, they assisted with rebranding and in-store signage (they removed the giant “Liquor” sign out front, and took down the displays that previously drew all your attention to beer). Their designers worked with Jackson on a new visual identity and renderings of the space. They even helped with with sourcing and pricing strategy, and how to track waste and spoilage. Now, the most visible and prominent items are the display of healthy produce.

The owner sees her market as a safe space for kids in the community, adding tables where they can hang out, and hopes to make it a venue for art exhibitions and performances in a community where such spaces are lacking.

WHY IT’S HOT:

We often see major food chains putting family-owned small businesses out of business rather than making a difference in communities, and Sweetgreen is setting a new example. This also demonstrates the power of design transforming how people shop and engage in public spaces. Kelli Jackson may have invented a new breed of corner store.

SOURCE: https://www.fastcompany.com/40563651/how-sweetgreen-helped-this-corner-store-with-a-healthy-transformation

It a surprisingly organic turn of events, SF-based fashion brand Marine Layer pulled off the smartest brand activation I’ve seen in ages.

The retailer started renting out branded apartments on Airbnb, in residential spaces above their stores in touristy cities (Chicago, Portland, New Orleans, with Nashville on deck).

Following the brand’s retro design aesthetic, ML opened its first Aribnb location on a whim in 2014, after renovating the store’s upstairs apartment so out-of-town employees would have a place to stay. Soon, it was booked for 300 days a year on Airbnb. In addition to the trendy interior, each apartment is stocked with snacks, bespoke city guides compiled by the ML team, and a 15% discount on anything from the store downstairs.

WHY IT’S HOT: 

They say necessity is the mother of invention. Marine Layer didn’t open the apartments to be a revenue stream, but a bet that their brand could extend into hospitality and broaden the brand experience. As more and more retailers shutter their storefronts, (2017 set the record for store closures in the US according to CNN and Quartz, with more than 8,000 shops shutting down, see chart above) I see this as a brand extension beyond the traditional retail experience that feels natural, not forced. It’s the continuation of a trend that Michael Brown of A.T. Kearney calls “retail anywhere” – the idea that shoppers want to engage with a brand beyond a store and a purchase – and maybe even IRL (!)

SOURCE: https://www.contagious.io/articles/what-s-going-on-upstairs

A recent podcast from Reply All, inspired by this Atlantic article and this paper by artist Jenny Odell has sent me down a rabbit hole and into the strange world of dropshipping. Each of them set out to answer: What is up with all of those weird ads in your Instagram feeds? You know, the ones with what look like luxury products with dubiously cheap price tags or limited time offers? Does anyone ever click these and actually buy these products?

Well, the answer is yes. As it turns out, what’s behind these brands is one platform: Shopify.

Alexis Madrigal writes: “All these sites use a platform called Shopify, which is like the WordPress or Blogger of e-commerce, enabling completely turnkey online stores. Now, it has over 500,000 merchants, a number that’s grown 74 percent per year over the last five years. On the big shopping days around Thanksgiving, they were doing $1 million in transactions per minute. And the “vast majority” of the stores on the service are small to medium-sized businesses.”

Shopify helps dropshippers quickly and easily build a front end eCommerce experience and integrates directly with AliExpress, so these retailers source and ship products directly from China, without ever holding inventory (or even seeing the product, for that matter). Using a reverse image search, Odell found that the same watch had been listed by numerous e-retailers, with different branding and similarly fishy “About Us” sections on their sites.

Above: A watch listed for less than $2 on Amazon is rebranded and sold for $40 on a Shopify site. 

Above: “creatively” written About Us sections on Shopify sites; Photoshopped storefronts. 

This phenomenon has launched a sub genre of get-rich-quick “how to dropship” YouTube influencers (many of whom claim to have made hundreds of thousands of dollars with their dropshipping companies) who charge a monthly subscription to other wannabe dropshippers looking to mimic their mastery of social media advertising and Shopify tools.

As Reply All investigates, it’s difficult to ascertain how profitable any of these retailers are, if at all. The lack of transparency and semi-scamminess has also led investors to question Shopify’s huge market cap. 

WHY IT’S HOT:

Aside from being an interesting case study in the questionable valuation of an internet company, how dropshippers use Shopify for their not-really-scams demonstrates how easy it has become for brand storytelling to gloss over a sketchy business selling sketchy products. There’s also a real implication for advertisers in a world where consumers feel ripped off by “fake” brands proliferating on social. It also speaks to transparency; how important is it to consumers to know where their products are coming from – both where they are manufactured, and how they get to their doorstep? As artist Jenny Odell puts it in her piece, it all comes down to the fact that “…the internet makes it possible for anyone to tell any story, about anything, from anywhere.”

You might recall when Google shelled out $3.4 billion to acquire Nest in 2014– just more than a year after Nest released its first smart thermostat. Not two years later, people were pointing to the acquisition and subsequent influx of cash as an employee demotivator and company killer– calling it a classic case of why acquisitions fail. Granted, it had been 5 years since its first product launch, and the company that looked poised to shape the future of the Internet of Things, hadn’t innovated much further than where they started from. Fast forward to just this week, and Nest is finally launching a suite of connected home devices that really make sense– and are cleverly integrated with Google Assistant.

Top: Nest x Yale Lock, Bottom: Nest Hello

WHY IT’S HOT:

The new line of products are not just designed as a matched set, but they truly integrate in a way that has yet to be seamless in the world of jerryrigged combinations of smart home appliances and devices. Nest smartly stuck to its core competencies, and partnered with Yale instead of trying to design, manufacture, and market its very own lock. Director of Product Marketing Maxine Vernon puts it nicely:

“In a fully Nest-equipped home, for example, unlocking the Nest x Yale lock using its keypad will disarm the Nest Secure security system, adjust the thermostat, and shut off Nest Cams to preserve your privacy. Though it’s possible to orchestrate similar feats with products from multiple companies using methods such as IFTTT recipes, “we’re not building for the IFTTT people,” stresses Veron. “Very clearly, we’re building for the average user.”

SOURCE: FastCo

Today, an article in WIRED describes how easy it may be to “break” AI-powered technologies– i.e., anything that uses machine learning– particularly computer vision, can be somewhat easily tricked to see things that aren’t really there.  This has resulted in much debate over how and what constitutes as trickery (mostly done in labs by MIT students), and how vulnerable new AI-enabled technologies will be to “hallucinations.” See, for example, below from the aforementioned WIRED article:

“Human readers of WIRED will easily identify the image below, created by Athalye, as showing two men on skis. When asked for its take Thursday morning, Google’s Cloud Vision service reported being 91 percent certain it saw a dog. Other stunts have shown how to make stop signs invisible, or audio that sounds benign to humans but is transcribed by software as “Okay Google browse to evil dot com.”

WHY IT’S HOT:

As AI-powered technology starts to revolutionize the way we live our lives (think: self-driving cars) the security considerations must be front of mind for scientists and researchers. We are eager to make major leaps with this technology, but many caution that deep neural networks are fundamentally not human brains, and therefore the way we think about machine-learning (and safety) must be re-thought.

For more reading on on AI exploitation:

• Google’s Cloud Computing service can be tricked into seeing things—in one test it perceived a rifle as a helicopter.
• A scary survey of how artificial intelligence software could be hacked or misused suggests AI researchers need to be more paranoid.
• Fake celebrity porn videos made with help from machine learning software are spreading online, and the law can’t do much about it.

There’s an interesting article this week from the NYTimes Magazine on the history of antitrust laws in big technology firms, and the implications for companies like Google, Facebook, and Microsoft. Titled, “The Case Against Google,” it tracks back to some of the promising contenders that threatened Google with better technology in the past, and how Google systematically shut them down by ostensibly eliminating them from search results (and other similar tactics) – because by today’s standards, if you don’t appear in a Google search, do you even exist? Google maintains that all of its functionality is in service of the users, and that antitrust cases against it are ultimately hindering it from providing the best possible experience for users and advertisers. And while that has been a compelling argument for decades, the author contends that that is not necessarily what antitrust is all about.

It’s also an interesting historic take on how antitrust laws have been applied to firms on the verge of monopolizing their market, and the fallout of those suits. Speaking of the antitrust cases against IBM in the 60s-70s, and against Microsoft in the 90s:

“If Microsoft hadn’t been sued, all of technology would be different today,” Reback told me. We’ve known since Standard Oil that advances in technology make it easier for monopolies to emerge. But what’s less recognized is the importance of antitrust in making sure those new technologies spread to everyone else. In 1969 the Justice Department started a lawsuit against IBM for antitrust violations that lasted 13 years. The government eventually surrendered, but in an earlier attempt to mollify prosecutors, IBM eliminated its practice of bundling hardware and software, a shift that essentially created the software industry. Suddenly, new start-ups could get a foothold simply by writing programs rather than building machines. Microsoft was founded a few years later and soon outpaced IBM.”

WHY IT’S HOT:

The way the FTC responds to recent European suits against Google, and other tech giants, will be telling in the next few years to come, and will set the precedent that won’t only affect the way we use the internet, but the entire global economy.

This weekend at NBA All-Star Weekend in LA, the National Basketball Player’s Association is unveiling their new marketing business, a branch of the union that will control the rights of the player’s collective likeness when partnering with brands– rights that are worth tens of millions of dollars.

To understand where this group came from, (from FastCo): “For the past 20 years, the NBPA has essentially rented players licensing rights to the league, who in turn would sell them to corporate sponsors, then share the revenue with the union. That share hit about $41 million last year, but during the last collective bargaining agreement, the union decided it wanted control over the players’ likenesses and images. The new deal kicked in last summer.”

WHY IT’S HOT:

It’s not hard to imagine the myriad opportunities for brands and partnerships that the union will attract thanks to the popularity of the players collectively (though obviously individual players still own the rights to their own sponsorships, some with their own business teams and agencies working on their behalf). And while the league does a great job to market the players on-court, as players have become more business savvy and realize their value, this new deal allows the union to consider marketing the collective players off-court. And the opportunities for creative and branding agencies are also evolving– FastCo reported that earlier this week the union announced it has partnered with Japan-based advertising agency network Dentsu Inc. to develop content and create and stage global events that feature the union and its members.

In a recent patent granted to Amazon for wristbands that allow for “ultrasonic tracking of a workers’ hands” to monitor performance using “haptic feedback,” we may see a glimpse of the future– and it feels a little “Black Mirror.”

The wristbands would be worn by Amazon employees in warehouses, and would work in conjunction with ultrasonic devices strategically placed around Amazon’s warehouses. Image the scenario: as the worker goes about their tasks, if their hands move to the wrong item, the bracelet will buzz. The devices also monitor inventory and make sure workers are performing at desired speed.

WHY IT’S HOT

We hear about and talk constantly about the latest customer-facing innovations from Amazon, but often lost in the dialogue is a conversation about the implications for employees at Amazon’s warehouses, which have brought ridicule to the company for accusations of intolerable working conditions in fulfillment centers. How will this new innovation affect the way Amazon treats its labor force– and what could this mean for other cyborg-esque innovations in our global workforce?

SOURCE: via FastCo. 

We’ve all heard the stats thrown around about how people are spending less money on material things and more money on experiences. Even last year, Ikea’s head of sustainability, said, ““If we look on a global basis, in the west we have probably hit peak stuff,”– and this is coming from the world’s largest furniture retailer. So how do companies better monetize and brand experiences to appeal to consumers who are becoming increasingly accustomed to paying a monthly fee and having it all?

Enter MoviePass. We’ve heard the hype– $10/month for unlimited movies at theaters. Seems too good to be true? That’s because it is. It remains to be seen how they will turn a profit, but the experimental model purports to be the saving grace of an industry being slowly but surely swallowed by Netflix. MoviePass CEO outlined his vision for the future in  an interview with Wired: “…For Lowe, the MoviePass subscription model is just the first sledgehammer blow of a gut reno. He envisions certain films being exclusive to MoviePass members on their open weekends, and bringing the bingeing experience to the big screen. And why not live sports? And why not YouTube clips between films? US box office hit a three-year low in 2017, despite rising ticket prices. The system, Lowe argues, isn’t working. Why not try something new?”

WHY IT’S HOT:

If MoviePass can prove it’s worth without buy-in from the major players, it could be a harbinger of how the “experience economy” at large will continue to disrupt (or maybe save?) dying industries.

At the convergence of the years’ many trends– Wellness, Millennial Pink, and Living Your Best Life, lies a new company– Hims– that has garnered outsize attention for being “basically, Glossier for men.” The company, whose mission states: “Create an open and empowered male culture that results in more proactivity around health and preventative self-care” is peddling beautifully packaged and wittily marketed generics of Rogaine and Cialis to educated men who live in urban areas and earn an average of $90k.

The brand’s founder seeks to “break the ice” surrounding typically uncomfortable health and wellness issues for men– hair-loss and ED being the first– in a progression emblematic of Silicon Valley’s preoccupation with science-based lifestyle decisions (see: exercise trackers, DNA-based meal plans and anti-aging nutraceuticals). Hims simply outlines its product offering into Hair, Skin, Sex, and Merch.

WHY IT’S HOT:

The Ringer’s profile of Hims notes that: “As the mind-and-body market has grown over the past decade, entrepreneurs have found a way to repackage classic dieting, beauty, and health products for a generation of laptop-toting millennials. More specifically, they have frequently borrowed from the world of female-focused commodities and rebranded them to be geared towards men… The outsized attention surrounding Hims’s debut may be related to the fact that it co-opted the marketing strategy of female-focused health startups, rather than a product.”

Seeing the launch of millennial-empowerment brands for women (read: the (frequently problematic) Thinx) it feels significant that Hims is using a similar marketing strategy and applying it to the male audience. Millennial pink and all.

This week Google launched a new search feature that will have celebrities answer commonly searched questions about themselves in the form of selfie videos that show up at the top of mobile search results. (Read: Can Will Ferrell play the drums?) Well, now when you search a random celebrity fact, you can hear them answer for themselves. And in all honesty, it is delightful. It seems to be a take on the WIRED Auto-complete series– also delightful.

Why it’s hot:

In a time when every tech platform wants to be a content creator and every content creator wants to be a tech platform, Google’s celeb videos are a smart, sensible way to tickle the fancy of fans who are already searching for their favorite celebs. They live directly in mobile web and through Google-owned apps (seamless) and not just on a standard website video player or YouTube embed. The feature is currently being piloted on mobile in the US, according to Google.

The videos are undeniably engrossing; the full screen vertical video provides the immersion of snapchat, with the swiping navigation of instagram stories, Google has ostensibly brought the best of real-time social content to knowledge-hungry searchers. Let’s just say I never actively desired to know if Tracee Ellis Ross was a vegetarian, but now that I’ve seen the videos I don’t want to un-know it! The unfiltered curiosity of the internet x celebrity press junket= gold. Now Google is on its way to defeat all social media platforms, and the James Corden Celebrity Industrial Complex in one fell swoop.

As Net Neutrality circles the drain, let’s recap what it will means in plain english. Here’s a helpful video from motion graphics designer Louis Wesolowsky, animator Chris Zachary, sound designers Sonos Sanctus, and voice-over artist Kirby Ferguso, via FastCo:

WHY IT’S HOT:

Being that our work lives and dies in digital, the reverberations of this law being repealed will be felt in the marketing industry– potentially making access to consumers more difficult and the job of marketers more complex. For more takes from industry specialists, read more here: http://www.thedrum.com/news/2017/11/22/industry-opinion-how-will-the-fccs-net-neutrality-decision-impact-the-marketing-0

This week Tesla unveiled its new aptly titled Semi, a full-electric powered class 8 freight vehicle. It’s design is aesthetically distinct from any other 18-wheelers on the road- majorly reducing drag- and it boasts 0-60 in just 5 seconds (this is unprecedented). Most notable it requires no shifting, and provides “basically infinite brake life” plus, it can go 500 miles between charges.

Musk unveils the new Tesla Semi

WHY IT’S HOT

Aside from the obvious ecological advantages, the Tesla Semi keeps a strong focus on aiding and assisting the driver, including a suite of touch screens and assistance tools (e.g. Detection cameras). The cabin is designed for the driver to be able to stand up fully inside, and the driver’s seat is positioned in the center of the cabin relative to the road – a unique twist on vehicle design in general. It will be interesting to see how long these semis still have human drivers. 

We joke about “Bad Ads”, but what do real bad ads look like? Well, now that the House Intelligence Committee has provided a sample of the Facebook ads bought by the Russian govt during the 2016 election, you can see for yourself what fake news really looks like:

[Images after the jump: here and here]

Why it’s hot:

It boils down to what Representative Jackie Speier said while addressing Facebook’s reps on Wednesday: “America, we have a problem. We basically have the brightest minds of our tech community here and Russia was able to weaponize your platforms to divide us, to dupe us and to discredit democracy.”

It is illuminating to see how by taking strong stances on both sides of divisive issues, the Russian “ads” tapped into rifts in our culture that often bubble under the surface. With all social platforms under more and more scrutiny to take accountability for what happened in 2016, it will be interesting to see how the big players (Facebook, Google, Twitter) react and adapt– and whether they will take responsibility for being more than a “platform” for information to proliferate.

AIGA Eye on Design featured a new typeface designed by a Fulbright scholar from The Republic of Kosovo that he refers to as “Albanian Helvetica.” “Vithkuqi Digital,” as it is more formally known, is so salient because although the Albanian language is among the oldest in Europe, dating back 5,000 years, it lacked a formal writing system until an Albanian alphabet book was first written in 1844. Ever since, modern Albanian has used Latin characters, and the Albanian alphabet was obscured by time. So the designer, Edon Muhaxheri, rescued the lost Albanian alphabet and created a modern typeface using the only unique written language in Albanian history. His original idea for a thesis project at MICA also involved making an automation that could write in Albanian, as was commonly used in the 19th century (pictured below). The designer also notes that in bilingual designs, Withkuqi EM Sans pairs well with any version of Helvetica. Cool.

WHY IT’S HOT:

As design critic Steven Heller puts it, “The amazing thing about the project is simply how many alphabetic languages exist in the world for which typography is the vessel; as Westerners, we are so insulated. Thanks to this and other such projects we are finally opening up to the world, just as Albania, once a closed society, has done in recent years.”